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Want to learn how tow write a triad of books that keeps readers with you to the end? Here are 5 key steps for how to write a book trilogy: Step 1: Examine successful trilogies’ structures and learn what works.

Step 2: Plan a thread that builds through all three books. Step 3: Treat the middle book as a rickety bridge to the finale. Step 4: Focus on a satisfying sense of conclusion for the third book. Step 5: that resonate together strongly. Let’s examine each step closer: 1: How do the great trilogies work? The number three crops up everywhere in storytelling: Three wise men; three little pigs; three blind mice; the Father, the Son and the Holy Ghost. The ‘Rule of Three’ as this structural device is known serves multiple purposes.

As Joe Bunting reminds, remembering the course of events is crucial to reading a story, and repetition in threes helps stories to stick in our minds.: ‘The first two times build tension and the third releases the tension, either through resolution or a twist.’ Now examine some of the great trilogies and think about how they are structured. Tolkien’s Lord of the Rings trilogy, for example. The first book, The Fellowship of the Ring, establishes the central cast of the book, introducing the reader to the unlikely hero Frodo and his genial sidekick Samwise Gamgee, along with the wizard Gandalf and the primary villain of the story, Sauron. The book builds tension, as Frodo undertakes to destroy the dangerous ring of the title.

The fellowship encounters multiple challenges and the party decreases in size even as the perils of their quest grow more threatening. Thanks for the speedy response and I’ll elaborate: my Sherlock Holmes as well as several other characters are exiled fairies who live among the human race. The main problem – where my version of John is needed – is that they are invisible until they’re needed and as a detective, it’s particularly difficult to talk to witnesses if they forget that you’re there. There are some magical elements – each fairy can choose to focus on one or many schools of magic – but this is mostly treated as a ‘psychic’. Do you understand it a bit more? I realize I’m a bit late to this discussion so if I don’t get a reply I understand, but I just have a question. I’m currently writing and plotting a series that will most likely shape into a trilogy, and I’ve known it would be a series from the start.

The story is rather complex and I don’t think it would work out to try to tell it in just one book. However, through discussions with other authors I’ve also learned that when attempting to publish a series traditionally it’s essential for the book to be able to stand on its own. Vickers Manual Directional Control Valve.

This is logical to me, but I think I’ve been confusing myself a lot about what it means to stand alone! The main conflict of my series is that the main character’s younger brother is kidnapped, and it leads the main character into this mystery that he ends up realizing is much more complex than it at first seems. In the first book he and his allies are supposed to discover who the culprit is, but they fail in apprehending him and returning the child home. I want getting his brother back to be the main conflict of the series, but is it possible to still have the first book stand on its own with this type of ending? I’m sorry for the long question, and once again I understand if I don’t get a response.

This article was very informative and helped me a lot in looking at what I have written and planned for my series so far, and I really appreciate the time and effort you put into sharing this advice. Thank you very much! As far as having each book in the trilogy be a standalone, that just means having a lesser plot begun and concluded within each book. For example using a trilogy I’m working on. The overarching plot of the trilogy is my main character(MC) fighting as an officer in a war against a Sorcerous who is a self-proclaimed God of the world, who’s trying to conquer the world, claiming it’s her right to rule. Then I have subplots for each book in the trilogy.

In the first book my MC has to fight to keep a dictatorship from rising in his own country while fighting the war against the sorcerous to keep it as a republic so they don’t slip down to the same conditions of lack of freedoms the same as if the sorcerous had won. In the second book my MC has to deal with a conscientious objection movement headed by his son, who’s trying to bring an end to the war with an offering of peace to the sorcerous with a false belief it would actually work. The main character needs to figure out a way to get them to fight because he desperately needs more soldiers for the war. And the third book is where they have the final showdown against the Sorcerous. In my first two books there are complete beginning to end plots that are completed within a single book.